THE TUNEGUITAR GUIDE
Understand D standard
Transpose the whole instrument
D standard moves every string down two semitones. A standard G-major fingering sounds F major, and a C-major fingering sounds B-flat major. The familiar fourths and the G-to-B major-third exception remain as an interval pattern, even though the actual string names are now different. This makes the tuning useful when you want a lower register without relearning every shape.
The fifth string exposes a mistaken Drop D
Both layouts begin with D2. In D standard, string 5 must be G2 and string 4 C3. In Drop D they remain A2 and D3. Check these middle strings before blaming a song lesson or backing track. A correct low D cannot establish which of the two tunings you have.
Separate tuning from setup
Lowering the whole guitar reduces string tension for the same strings and scale length. A note that buzzes or changes markedly with picking force may need a different setup for regular use. Do not compensate by deliberately tuning the whole guitar sharp. Establish the correct targets, compare a light and normal attack, and decide whether the instrument is stable enough for the part.
Your string-by-string route from standard
This is a comparison of target pitches, not a recommendation to use every tuning on every guitar. Start from the tuning your instrument actually has. Use the directions and the octave labels together.
| String | Start | Target | Adjustment |
|---|---|---|---|
| 6 | E2 | D2 | Lower 2 semitones |
| 5 | A2 | G2 | Lower 2 semitones |
| 4 | D3 | C3 | Lower 2 semitones |
| 3 | G3 | F3 | Lower 2 semitones |
| 2 | B3 | A3 | Lower 2 semitones |
| 1 | E4 | D4 | Lower 2 semitones |
Nearby tunings, compared by their actual notes
These are the three closest six-string presets by total semitone movement from this setup. The ranking describes target changes, not playing difficulty or physical suitability. A familiar name can hide a different middle-string layout.
| Next tuning | All target notes | Strings that change |
|---|---|---|
| Drop C | C2 · G2 · C3 · F3 · A3 · D4 | 6 |
| Open D minor | D2 · A2 · D3 · F3 · A3 · D4 | 5, 4 |
| Open D | D2 · A2 · D3 · F♯3 · A3 · D4 | 5, 4, 3 |
Try the setup with a sourced arrangement
These links refer to named parts in linked arrangements. They do not establish a universal tuning for every recording or live version.