THE TUNEGUITAR GUIDE
Understand 7-string standard
The upper six retain their familiar map
The added B1 sits below E2 A2 D3 G3 B3 E4. Standard six-string shapes remain available on strings 6 through 1, while string 7 extends the bass. Tune the upper six first if that helps orient your hands, then add the low B. Always confirm the numbered button before moving a peg.
Two Bs are two octaves apart
The seventh-string B1 and second-string B3 share a note name but differ by two octaves. Their frequencies are about 61.74 and 246.94 Hz. Hearing B on the display is not enough to select the correct string. Muting the other six also stops sympathetic resonance from confusing an automatic detector.
Drop A changes only the new bass
For seven-string Drop A, lower the seventh string B1 to A1 and preserve the upper six. Do not select the six-string Drop A preset: it has a different upper-string sequence and no high E. Save profiles with '7-string' in their names so instrument changes do not silently load an incompatible set of targets.
Check the register of every target
| String / course | Note | Hz |
|---|---|---|
| 7 | B1 | 61.74 |
| 6 | E2 | 82.41 |
| 5 | A2 | 110.00 |
| 4 | D3 | 146.83 |
| 3 | G3 | 196.00 |
| 2 | B3 | 246.94 |
| 1 | E4 | 329.63 |
The order follows this preset, not an instruction to rearrange the physical strings. On paired courses, identify the main string and its partner before plucking. A single-note detector cannot prove that two strings sounding together are independently correct.