THE TUNEGUITAR GUIDE
Understand C standard
All six strings move together
C standard is four semitones below regular standard. An E-shape chord sounds C; an A shape sounds F; a D shape sounds B flat. The pattern of fingerings survives because every interval between neighbouring strings stays the same. When writing a setlist, record both the tuning and the sounding key to avoid handing another player the wrong chord names.
A C in the bass does not identify the tuning
Drop C has G2 on string 5 and C3 on string 4. C standard has F2 and B flat2 there. These middle targets are the fastest way to distinguish the presets. After changing from Drop C, strings 5 through 1 all need to move down a whole step even though the lowest C stays put.
Check normal playing pressure
With the same string set, a four-semitone drop substantially lowers tension. Tune with a moderate attack and test a fretted note using the pressure you actually play with. If fretting or picking produces excessive sharpness, consider whether the instrument needs a setup appropriate to this register. Do not use a false reference frequency to hide that behaviour.
Your string-by-string route from standard
This is a comparison of target pitches, not a recommendation to use every tuning on every guitar. Start from the tuning your instrument actually has. Use the directions and the octave labels together.
| String | Start | Target | Adjustment |
|---|---|---|---|
| 6 | E2 | C2 | Lower 4 semitones |
| 5 | A2 | F2 | Lower 4 semitones |
| 4 | D3 | A♯2 | Lower 4 semitones |
| 3 | G3 | D♯3 | Lower 4 semitones |
| 2 | B3 | G3 | Lower 4 semitones |
| 1 | E4 | C4 | Lower 4 semitones |
Nearby tunings, compared by their actual notes
These are the three closest six-string presets by total semitone movement from this setup. The ranking describes target changes, not playing difficulty or physical suitability. A familiar name can hide a different middle-string layout.
| Next tuning | All target notes | Strings that change |
|---|---|---|
| Baritone B standard | B1 · E2 · A2 · D3 · F♯3 · B3 | 6, 5, 4, 3, 2, 1 |
| C♯ standard | C♯2 · F♯2 · B2 · E3 · G♯3 · C♯4 | 6, 5, 4, 3, 2, 1 |
| Drop B | B1 · F♯2 · B2 · E3 · G♯3 · C♯4 | 6, 5, 4, 3, 2, 1 |